Note 10 — Chapter XXII

Dr. S. Wells Williams, who was familiar with Buddhism during his forty years residence in China, says ("Middle Kingdom," Vol. II., p. 257):

"The numerous points of similarity between the rites of the Buddhists and those of the Romish Church, early attracted attention, ... such as the vow of celibacy in both sexes, the object of their seclusion, the loss of hair, taking a new name and looking after the care of the convent. There are many grounds for supposing that their favorite goddess Kwanyin, i. e., the Hearer of Cries, called also Holy Mother, Queen of Heaven, is only another form of Our Lady. The monastic habit, holy water, counting rosaries to assist in prayer, the ordinances of celibacy and fasting, and reciting masses for the dead, worship of relics, and canonization of saints, are alike features of both sects. Both burn candles and incense, and bells are much used in their temples: both teach a purgatory, from which the soul can be delivered by prayers, and use a dead language for their liturgy, and their priests pretend to miracles. These striking resemblances led the Romish missionaries to suppose that some of them had been derived from the Romanists or Syrians who entered China before the twelfth century; others referred them to St. Thomas, but Prémare ascribes them to the devil, who had thus imitated holy mother church in order to scandalize and oppose its rights. But as Davis observes: 'To those who admit that most of the Romish ceremonies are borrowed directly from Paganism, there is less difficulty in accounting for the resemblance.'"

The following scene in a Buddhist temple described by an eye-witness, answers to what is often seen in Romish churches:

"There stood fourteen priests, seven on each side of the altar, erect, motionless, with clasped hands and downcast eyes, their shaven heads and flowing gray robes adding to their solemn appearance. The low and measured tones of the slowly moving chant they were singing might have awakened solemn emotions, and called away the thoughts from worldly objects. Three priests kept time with the music, one beating an immense drum, another a large iron vessel, and a third a wooden bell. After chanting, they kneeled upon low stools, and bowed before the colossal image of Buddha, at the same time striking their heads upon the ground. Then rising and facing each other, they began slowly chanting some sentences, and rapidly increasing the music and their utterance until both were at the climax of rapidity, they diminished in the same way until they had returned to the original measure.... The whole service forcibly reminded me of scenes in Romish chapels."