Note 1 — LETTER LXXII.
Reading edition
I have set my writing-table close to the pillars of the great window of the Ca’ Ferro, which I drew, in 1841, carefully, with those of the next palace, Ca’ Contarini Fasan. Samuel Prout was so pleased with the sketch that he borrowed it, and made the upright drawing from it of the palace with the rich balconies, ‘which now represents his work very widely as a chromolithotint.1