Note 48 — Chapter I

Perhaps the most interesting example in a minor way comes from Shrewsbury. In the Abbey Church, forming part of a font, is the upper stone of a cross (supposed to have been the Weeping Cross) which was discovered at St. Giles's churchyard. It had been immemorially fixed in the ditch bank, and all traces of its origin were quite lost, except that an old lady, who was born in 1724, remembered having seen in her youth, persons kneeling before this stone and praying. The transmission of the tradition through very nearly three centuries proved correct, for on its being loosened by the frosts of a severe winter, it fell, and its religious distinction became immediately apparent from the sculpture with which it was adorned.—Eddowes' Shrewsbury Journal, 5th October, 1889.