Note 214 — Chapter IV · THE DOLPHIN—HERODOTUS—THE ICHTHYOPHAGI—THE TUNNY

B. V. Head, op. cit. p. 266 ff. As an emblem of the sea the dolphin is very general, from the rude sculpturings of Etruscan sarcophagi, the later mural adornments at Pompeii, down to the paintings of the walls of the Vatican by Raphael. In all, the striking dissemblancy to the actual dolphin of natural history can be remarked at a glance. In the case of Raphael, however, it must be remembered that the designs are modelled on the classical decorations which were discovered in the Baths of Titus, where the Dolphin had been with propriety introduced as a marine symbol (Moule, Heraldry of Fish, p. 8).