Note 37 — PART II HISTORICAL STUDIES
Reading edition
No one, of course, would treat the Tapestry like a modern illustrated journal; but if it be fairly treated, in Mr Freeman's spirit, one's real wonder is that, under such obvious limitations, the designer should have been so successful as he has. Nowhere, perhaps, is the painstaking accuracy of the Bayeux Tapestry better seen than in its miniature representation of the fortress at Dinan. It shows us the motte, or artificial mound, surrounded by its ditch, and even the bank beyond the ditch, together with the wooden bridge springing (as we know it did in such castles) from that bank to the summit of the mound.
As to Mr Archer's attempts to show that Mr Freeman in one or two instances did not value so highly as he did what he deemed the supreme authority for the battle, I need only print Mr Freeman's words, parallel with his own comments, to show how their character is distorted.