Notes to Excursions in Art and Letters — Reading edition
28 notes · Reading edition
PHIDIAS, AND THE ELGIN MARBLES. · Note 1PHIDIAS, AND THE ELGIN MARBLES. · Note 2PHIDIAS, AND THE ELGIN MARBLES. · Note 3PHIDIAS, AND THE ELGIN MARBLES. · Note 4PHIDIAS, AND THE ELGIN MARBLES. · Note 5PHIDIAS, AND THE ELGIN MARBLES. · Note 6PHIDIAS, AND THE ELGIN MARBLES. · Note 7THE ART OF CASTING IN PLASTER AMONG THE ANCIENT GREEKS AND ROMANS. · Note 1THE ART OF CASTING IN PLASTER AMONG THE ANCIENT GREEKS AND ROMANS. · Note 2THE ART OF CASTING IN PLASTER AMONG THE ANCIENT GREEKS AND ROMANS. · Note 3THE ART OF CASTING IN PLASTER AMONG THE ANCIENT GREEKS AND ROMANS. · Note 4THE ART OF CASTING IN PLASTER AMONG THE ANCIENT GREEKS AND ROMANS. · Note 5THE ART OF CASTING IN PLASTER AMONG THE ANCIENT GREEKS AND ROMANS. · Note 6THE ART OF CASTING IN PLASTER AMONG THE ANCIENT GREEKS AND ROMANS. · Note 7THE ART OF CASTING IN PLASTER AMONG THE ANCIENT GREEKS AND ROMANS. · Note 8THE ART OF CASTING IN PLASTER AMONG THE ANCIENT GREEKS AND ROMANS. · Note 9THE ART OF CASTING IN PLASTER AMONG THE ANCIENT GREEKS AND ROMANS. · Note 10THE ART OF CASTING IN PLASTER AMONG THE ANCIENT GREEKS AND ROMANS. · Note 11THE ART OF CASTING IN PLASTER AMONG THE ANCIENT GREEKS AND ROMANS. · Note 12THE ART OF CASTING IN PLASTER AMONG THE ANCIENT GREEKS AND ROMANS. · Note 13THE ART OF CASTING IN PLASTER AMONG THE ANCIENT GREEKS AND ROMANS. · Note 14THE ART OF CASTING IN PLASTER AMONG THE ANCIENT GREEKS AND ROMANS. · Note 15THE ART OF CASTING IN PLASTER AMONG THE ANCIENT GREEKS AND ROMANS. · Note 16THE ART OF CASTING IN PLASTER AMONG THE ANCIENT GREEKS AND ROMANS. (continued 2) · Note 1A CONVERSATION WITH MARCUS AURELIUS. · Note 1A CONVERSATION WITH MARCUS AURELIUS. · Note 2A CONVERSATION WITH MARCUS AURELIUS. · Note 3DISTORTIONS OF THE ENGLISH STAGE AS INSTANCED IN “MACBETH.” · Note 1