Note 4 — II
Ingeborg Andersen translation
Cp. Fr. Poulsen, Der Orient and die frühgriechische Kunst, p. 128, where I tried to prove that the pictures of the tomb are influenced by the art and style of decoration of the island of Cyprus. Rumpf (op. cit. 50) was nearer the mark in perceiving the connexion with the decorative art of Crete and the Cyclades in the seventh century B.C. The horsemen, in particular, recall the frieze from Prinia in Crete, Bollettino d’Arte, 1908, p. 457 ff.