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Essays towards the history of painting

Note 243 — ESSAYS. (continued 3)

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Cinabrese is praised by Armenino, who wrote in 1600. I do not always mention Armenino when I might; 1st, because I prefer Cennino’s authority; 2nd, because Armenino is a coxcomb whose work I have no pleasure in; and 3rd, because it is useless to multiply quotations. However, he is a writer of value on these matters.

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