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Essays towards the history of painting

Note 151 — ESSAYS. (continued 2)

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Reynold’s, in his Fifth Discourse, says that Michael Angelo “never needed, or seemed to disdain, to look abroad for foreign help,” and contrasts this originality with Raffaelle’s practice of using occasionally the inventions of his predecessors. But Reynolds, if he had been acquainted with the work of Signorelli, would have seen that Michael Angelo took from him, not only single figures of great power, but at least one group of importance, which he used with little change in the Last Judgment.

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