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Essays towards the history of painting

Note 142 — ESSAYS. (continued 2)

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Fuseli felt the incongruity and inconvenience of throwing together all the variety of pictures which commonly take the name of historical paintings, and has judiciously divided, and eloquently supported the division of that class of pictures into nearly the same sections as I have proposed. But he looked too disdainfully on all art which he did not practise, to have great weight; and is on that account, as well as on some others, less followed than he deserves; he has not condescended to notice any other branch of painting except the historical portrait.

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