Note 190 — XIX. HERBERT SPENCER.[185]

It is difficult to treat seriously the arguments by which Mr. Spencer endeavours to show that a knowledge of science is necessary for the practice or the enjoyment of the fine arts. Of course, the highest art of every kind is based on science, that is, on truths which science takes cognizance of and explains; but it does not therefore follow that “without science there can be neither perfect production nor full appreciation.” Mr. Spencer tells us of mistakes which John Lewis and Rossetti have made for want of science. Very likely; and had those gentlemen devoted much of their time to science we should never have heard of their blunders—or of their pictures either. If they were to paint a piece of woodwork, a carpenter might, perhaps, detect something amiss in the mitring. If they painted a wall, a bricklayer might point out that with their arrangement of stretchers and headers the wall would tumble down for want of a proper bond. But even Mr. Spencer would not wish them to spend their time in mastering the technicalities of every handicraft, in order to avoid these inaccuracies. It is the business of the painter to give us form and colour as they reveal themselves to the eye, not to prepare illustrations of scientific text-books. The physical sciences, however, are only part of the painter’s necessary equipment, according to Mr. Spencer. “He must also understand how the minds of spectators will be affected by the several peculiarities of his work—a question in psychology!” Still more surprising is Mr. Spencer’s dictum about poetry. “Its rhythm, its strong and numerous metaphors, its hyperboles, its violent inversions, are simply exaggerations of the traits of excited speech. To be good, therefore, poetry must pay attention to those laws of nervous action which excited speech obeys.” It is difficult to see how poetry can pay attention to anything. The poet, of course must not violate those laws, but, if he has paid attention to them in composing, he will do well to present his MS. to the local newspaper. [It seems the class is not extinct of whom Pope wrote:—