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Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 1 (of 3)

Note 5 — CABINET CYCLOPÆDIA.

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This passage is remarkable for having been imitated by Spenser in his personification of Forgetfulness: he, however, makes the feet and face at variance, which Dante does not, reversing the aspect of the one and the motion of the other:—

"But very uncouth sight was to behold How he did fashion his untoward pace; For as he forward moved his footing old, To backward still was turn'd his wrinkled face, Unlike to men, who, ever as they trace Both feet and face one way are wont to lead." Færie Queene, book I. canto VIII. st. 31.

The latter clause of Dante's lines has been remembered by Milton;—

"Sight so deform, what heart of man could long Dry-eyed behold?—Adam could not, but wept." Paradise Lost, book XI. ver. 495.

"E vidi gente per lo vallon tondo Venir, tacendo e lagrimando, al passo Che fanno le letane in questo mondo. Come 'l viso mi scese in lor più basso, Mirabilmente apparve esser travolto Ciascim dal mento al principio del casso: Che dalle reni era tornato il volto, Ed indietro venir li convenia. Perchè 'l veder dinanzi era lor tolto. Forse per forza gia di parlasia Si travolse cosi alcún del tutto: Ma io noi vidi, ne credo che sia. Se Dio ti lasci, lettor, prender frutto Di tua lezione, or pensa per te stesso Com' io potea tener lo viso asciutto, Quando la nostra imagine da presso Vidi si torta, che 'l pianto degli occhi Le natiche bagnava per lo fesso."

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