Note 6 — Chapter III

Many of Knoblochtzer's books also have very pretentious borders, though the designs are usually coarse. A quarto border used in his Salomon et Marcolfus with a large initial letter, and a folio one in his reprint of Æsop perhaps show his best work. These are reproduced, with many other examples of his types, initials, and illustrations in Heinrich Knoblochtzer in Strassburg von Karl Schorbach und Max Spirgatis. (Strassburg, 1888.)