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Dionysius of Halicarnassus On Literary Composition

Note 78 — INTRODUCTION (continued 2)

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Cicero (Or. 63. 212) says, with reference to the various ways of ending the period, “e quibus unum est secuta Asia maxime, qui dichoreus vocatur, cum duo extremi chorei sunt.” And Quintilian (ix. 4. 103) “claudet et dichoreus, id est idem pes sibi ipse iungetur, quo Asiani usi plurimum; cuius exemplum Cicero ponit: Patris dictum sapiens temeritas fili comprobavit.” The dichoree is condemned also in the de Sublim. c. 41 μικροποιοῦν δ’ οὐδὲν οὕτως ἐν τοῖς ὑψηλοῖς, ὡς ῥυθμὸς κεκλασμένος λόγων καὶ σεσοβημένος, οἷον δὴ πυρρίχιοι καὶ τροχαῖοι καὶ διχόρειοι, τέλεον εἰς ὀρχηστικὸν συνεκπίπτοντες ... ὡς ἐνίοτε προειδότας τὰς ὀφειλομένας καταλήξεις αὐτοὺς ὑποκρούειν τοῖς λέγουσι καὶ φθάνοντας ὡς ἐν χορῷ τινι προαποδιδόναι τὴν βάσιν. It is the constant recurrence of the same feet that is to be deprecated (cp. Aristot. Rhet. iii. 8. 1, and Theon. Progymn. in Walz Rhet. Gr. i. 169); a single dichoree would not be avoided even by Dionysius himself, e.g. νοῦν ἐχόντων (192 5). Cicero’s appreciation of Carbo’s patris dictum sapiens temeritas fili comprobavit may be instructively compared with Dionysius’ attitude towards the general question of good and bad rhythms. They both seem to allow too little for other considerations; one of them approves, and the other disapproves, the final dichoree; and both agree in the main point, that there should be plenty of variety: “hoc dichoreo (sc. comprobavit) tantus clamor contionis excitatus est, ut admirabile esset. quaero nonne id numerus effecerit? verborum ordinem immuta, fac sic: ‘comprobavit fili temeritas,’ iam nihil erit, etsi ‘temeritas’ ex tribus brevibus et longa est, quam Aristoteles ut optimum probat, a quo dissentio. ‘at eadem verba, eadem sententia.’ animo istuc satis est, auribus non satis. sed id crebrius fieri non oportet; primum enim numerus agnoscitur, deinde satiat, postea cognita facilitate contemnitur” (Cic. Orat. 63. 214). Hegesias’ lack of ear seems, further, to be shown in the awkward accumulation of disyllables; e.g. διὰ τῶν ποδῶν χαλκοῦν ψάλιον διείραντας ἕλκειν κύκλῳ γυμνόν (188 17), and τρόπῳ σκαιὸν ἐχθρόν (190 5). Cp. 132 3 μήτ’ ὀλιγοσύλλαβα πολλὰ ἑξῆς λαμβάνοντα.

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