Note 6 — A Halt in the Valley.

On this subject a good deal of difference of opinion seems to exist, and from Moore’s descriptions of the furniture of his terrestrial paradise, which have added so much to the fame of the valley, it appears probable that his “muse,” thinking it useless to search abroad for materials which existed in abundance at home, supplied him with what he supposed to be Eastern celestial creations, entirely from his native shores. Vigne, however, says, “I do not think that the beauty of the Kashmirian women has been overrated. They are, of course, wholly deficient in the graces and fascinations derivable from cultivation and accomplishment; but for mere uneducated eyes, I know of none that surpass those of Kashmir.” On the other hand, M. Jacquemont, who found “celestial happiness” in a plant of rhubarb, is unable to discover any beauty whatever in the Cashmerian ladies, and has no patience with his neighbour’s little flights of fancy in depicting their perfections. “Moore,” he writes, in his “Letters from India,” “is a perfumer, and a liar to boot. Know that I have never seen anywhere such hideous witches as in Cashmere. The female race is remarkably ugly.” Instead of adding to such conflicting evidence, I have endeavoured to subpœna a credible witness to speak for herself; and the right of private judgment being thus reserved to the reader, Gûlabie will no doubt be charitably dealt with, and will find her proper position somewhere within the limits of a “hideous witch” and a “celestial being.” ↑