Note 1 — Chapter XXVII · Le Bon Diable.

In the pre-petrified era of Theology this hope appears to have visited the minds of some, Origen for instance. But by many centuries of utilisation the Devil became so essential to the throne of Christianity that theologians were more ready to spare God from their system than Satan. ‘Even the clever Madame de Staël,’ said Goethe, ‘was greatly scandalised that I kept the Devil in such good-humour. In the presence of God the Father, she insisted upon it, he ought to be more grim and spiteful. What will she say if she sees him promoted a step higher,—nay, perhaps, meets him in heaven?’ Though, in another conversation with Falk, Goethe intimates that he had written a passage ‘where the Devil himself receives grace and mercy from God,’ the artistic theory of his poem could permit no nearer approach to this than those closing lines (Faust, II.) in which Mephistopheles reproaches the ‘case-hardened Devil’ and himself for their mismanagement. To the isolated, the not yet humanised, intellect sensuality is evil when senseless, and its hell is folly.