Note 6 — Chapter XX · The Holy Ghost.

The passionate sexual nature of the dove made it emblem of Aphrodite, and it became spiritualised in its consecration to the Madonna. From its relation to the falsely-accused Mary, there grew around the Dove a special class of legends which show it attesting female innocence or avenging it. The white dove said to have issued from the mouth of Joan of Arc is one of many instances. There is still, I believe, preserved in the Lyttleton family the picture painted by Dowager Lady Lyttleton in 1780, in commemoration of the warning of death given to Lord Lyttleton by the mother of two girls he had seduced, the vision being attended by a fluttering dove. The original account of his vision or dream, attributed to Lord Lyttleton, mentions only ‘a bird.’ When next told, it is that he ‘heard a noise resembling the fluttering of a dove,’ and on looking to the window saw ‘an unhappy female whom he had seduced.’ But the exigencies of orthodoxy are too strong for original narratives. As the ‘bird’ attested an announcement that on the third day (that too was gradually added) he would die, it must have been a dove; and as the dove attends only the innocent, it must have been the poor girl’s mother that appeared. It was easy to have the woman die at the precise hour of appearance.6 When in Chicago in 1875, I read in one of the morning papers a very particular account of how a white dove flew into the chamber window of a young unmarried woman in a neighbouring village, she having brought forth a child, and solemnly declaring that she had never lost her virginity.