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Demonology and Devil-lore

Note 7 — Chapter X · Darkness.

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What was seen on this strongly-authenticated occasion? Was anything seen? None can tell. It is open to us to believe that there may have been some play of mirage. As there are purely aërial echoes, so are there aërial reflectors for the eye. On the other hand, the vision so nearly resembles the spectral processions which have passed through the mythology of the world, that we can never be sure that it was not the troop of King Arthur, emerging from Avallon to announce the approaching strife. A few fleecy, strangely-shaped clouds, chasing each other along the hillside in the evening’s dusk would have amply sufficed to create the latter vision, and the danger of the time would easily have supplied all the Second-Sight required to reveal it to considerable numbers. In questions of this kind a very small circumstance—a phrase, a name, perhaps—may turn the balance of probabilities. Thus it may be noted that, in the instance just related, the vision was seen on the steep side of Souter Fell. Fell means a hill or a steep rock, as in Drachenfels. But as to Souter, although, as Mr. Robert Ferguson says, the word may originally have meant sheep,7 it is found in Scotland used as ‘shoemaker’ in connection with the fabulous giants of that region. Sir Thomas Urquhart, in the seventeenth century, relates it as the tradition of the two promontories of Cromarty, called ‘Soutars,’ that they were the work-stools of two giants who supplied their comrades with shoes and buskins. Possessing but one set of implements, they used to fling these to each other across the opening of the firth, where the promontories are only two miles apart. In process of time the name Soutar, shoemaker, was bequeathed by the craftsmen to their stools. It is not improbable that the name gradually connected itself with other places bearing traditions connecting them with the fabulous race, and that in this way the Souter Fell, from meaning in early times much the same as Giants’ Hill, preserved even in 1743–44 enough of the earlier uncanny associations to awaken the awe of Borderers in a time of rebellion. The vision may therefore have been seen by light which had journeyed all the way from the mythologic heavens of ancient India: substantially subjective—such stuff as dreams and dreamers are made of—no doubt there were outer clouds, shapes and afterglows enough, even in the absence of any fata morgana to supply canvas and pigment to the cunning artist that hides in the eye.

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