Note 63 — THACKERY'S "ESMOND"

One is reminded of the accounts of Scott's "copy." "Page after page the writing runs on exactly as you read it in print"--says Mr. Mowbray Morris. "I was looking not long ago at the manuscript of Kenilworth in the British Museum, and examined the end with particular care, thinking that the wonderful scene of Amy Robsart's death must surely have cost him some labour. They were the cleanest pages in the volume: I do not think there was a sentence altered or added in the whole chapter" (Lecture at Eton, Macmillan's Magazine (1889), lx. pp. 158-9). [64] "The sentences"--Mr. Crowe told a member of the Athenaeum, when speaking of his task--"came out glibly as he [Thackeray] paced the room." This is the more singular when contrasted with the slow elaboration of the Balzac and Flaubert school. No doubt Thackeray must often have arranged in his mind precisely much that he meant to say. Such seems indeed to have been his habit. The late Mr. Lockcer-Lampson informed the writer of this paper that once, when he met the author of Esmond in the Green Park, Thackeray gently begged to be allowed to walk alone, as he had some verses In his head which he was finishing. They were those which afterwards appeared in the Cornhill for January 1867, under the title of Mrs. Katherine's Lantern. [65] The Duke died 14th Sept. 1852.