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Cursory Observations on the Poems Attributed to Thomas Rowley (1782)

Editorial note — P O E M S

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X† A learned friend, who, by the favour of Mr. Barrett, has perused the Yellow Roll, informs me, that Rowley, in a treatise dated 1451, and addressed “to the dygne Maister Canynge,” with the quaint title, De re frumentaria, (chap. XIII. Concernynge Horse-hoeing Husbandrie, and the Dryll-Ploughe) has this remarkable passage: “Me thynketh ytt were a prettie devyce yffe this practyce of oure bakerres were extended further. I mervaile moche, our scriveynes and amanuenses doe not gette lytel letters cutt in wood, or caste in yron, and thanne followynge by the eye, or with a fescue, everyche letter of the boke thei meane to copie, fix the sayde wooden or yron letters meetelie disposed in a frame or chase; thanne daube the frame over with somme atramentous stuffe, and layinge a thynne piece of moistened parchment or paper on these letters, presse it doune with somme smoothe stone or other heavie weight: by the whiche goodlye devyce a manie hundreth copies of eche boke might be wroughte off in a few daies, insteade of employing the eyen and hondes of poore clerkes for several monthes with greate attentyon and travaile.” Introduction, Note 19.

This great man, we have already seen, had an idea of many of the useful arts of life some years before they were practised. Here he appears to have had a confused notion of that noble invention, the printing-press. To prevent misconstruction, I should add, that boke in the above passage means manuscript, no other books being then known; In other parts of his works, as represented by Chatterton, he speaks of Mss. as contradistinguished from books; but in all those places it is reasonable to suppose some interpolation by Chatterton, and those who choose it, may read book instead of manuscript; by which this trivial objection to the authenticity of these pieces will be removed, and these otherwise discordant passages rendered perfectly uniform and consistent.

This valuable relick shows with how little reason the late Mr. Tull claimed the merit of inventing that useful instrument of husbandry, the drill-plough.

I make no apology for anticipating Mr. Barret on this subject; as in fact these short extracts will only make the publick still more desirous to see his long-expected History of Bristol, which I am happy to hear is in great forwardness, and will, I am told, contain a full account of the Yellow Roll, and an exact inventory of Maistre William Cannynge’s Cabinet of coins, medals, and drawings, (among the latter of which are enumerated many, highly finished, by Apelles, Raphael, Rowley, Rembrant, and Vandyck) together with several other matters equally curious.—It is hoped that this gentleman will gratify the publick with an accurate engraving from a drawing by Rowley, representing the ancient Castle of Bristol, together with the square tower ycleped the Dongeon, which cannot fail to afford great satisfaction to the purchasers of his book, as it will exhibit a species of architecture hitherto unknown in this country; this tower (as we learn from unquestionable authority, that of the Dean of Exeter himself,) “being remarkably decorated [on paper] with images, ornaments, tracery work, and crosses within circles, in a style net usually seen in these buildings.”—Chatterton, as soon as ever he heard that Mr. Barrett was engaged in writing a History of Bristol, very obligingly searched among the Rowley papers, and a few days afterwards furnished him with a neat copy of this ancient drawing.

Y‡ This very curious and interesting history may be found in Mr. Bryant’s Observations, &c. p. 512. The learned commentator seems to have had the great father of poetry in his eye, who is equally minute in his account of the sceptre of Achilles. See Il. Α. v. 234. He cannot, however, on this account be justly charged with plagiarism; these co-incidences frequently happening. Thus Rowley in the 15th century, and Dryden in the 17th, having each occasion to say that a man wept, use the same four identical words—“Tears began to flow.”

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