Note 1 — Chapter V · EPOCH OF THE THREE KINGDOMS.—HIAKSAI.
Reading edition
There are colossal stone images at Pe-chiu (Pha-jiu) in the capital province, and at Un-jin in Chung-chong Dō. The former, discovered by Lieutenant J. G. Bernadon, U.S.N., are in the midst of a fir-wood, and are carved in half-figure out of bowlders in place, the heads and caps projecting over the tops of the trees. One wears a square cap and the other a round one, from which Mr. G. W. Aston conjectures that they symbolize the male and female elements in nature (p. 329). At Un-jin in Chung-chong Dō Mr. G. C. Foulke, U.S.N., saw, at a distance of fifteen miles, what seemed to be a lighthouse. On approach, this half-length human figure proved to be a pinnacle of white granite, sixty-four feet high, cut into a representation of Buddha. Similar statues may perhaps be discovered elsewhere. Coreans call such figures miryek (stone men, as the Chinese characters given in the French-Corean dictionary read), or miriok, from the Chinese Mi-lē, or Buddha. (In Japanese, the Buddha to come is Miroku-butsu—a verbal coincidence.) Professor Terrien de Lacouperie has written upon this theme with great learning. Besides the lop-ears, forehead-mark, and traditional countenance seen in the Buddhas of Chinese Asia, there is on the Un-jin figure a very high double cap, on which are set two slabs of stone joined by a central column, suggesting both the ceremonial cap of ancient Chinese ritual and the Indian pagoda-like umbrella. These miriok stand in what was once Hiaksai. In his “Life in Corea,” Mr. Carles gives a picture of the one at Un-jin. Smaller ones exist near monasteries and temples. ↑