Note {10} — PART II

ομμα θεισ’ ειτω πεπλων. The scholar will know that throughout this passage I refer to the early scenes of the Orestes; one of the most beautiful exhibitions of the domestic affections which even the dramas of Euripides can furnish. To the English reader it may be necessary to say that the situation at the opening of the drama is that of a brother attended only by his sister during the demoniacal possession of a suffering conscience (or, in the mythology of the play, haunted by the Furies), and in circumstances of immediate danger from enemies, and of desertion or cold regard from nominal friends.