Note M — Chapter III · THE AUTHOR'S INTROSPECTIONS
Carl Leo Rahn translation
Thus it is possible to think of the word "no" in three different ways. I may get a visual image of the written or printed word, or the auditory image of the word as spoken by another person, or finally I might think of it in terms of images of the sensations of movement which would arise if I myself were to enunciate or write the word. And so, in like manner, I could think of any other word in terms of either visual or auditory or motor imagery. In all probability the auditory and motor always occur together,[6] but still it is possible to make the one or the other predominate.
It appears that the imagery of most persons is a mixture of auditory-motor and visual elements, with a predominance of one or the other kind. Individuals who utilize almost exclusively the visual (as does the author, as a rule), are rare. But rarer still is the pronounced motor type.