Note (return) — Chapter VIII

The poets who appeared in the dim twilight of Grecian civilization--Orpheus, Musæus, Homer, Hesiod--seem to have occupied the same relation to the popular mind in Greece which the Bible now sustains to Christian communities. 387 Not that we regard them as standing on equal ground of authority, or in any sense a revelation. But, in the eye of the wondering Greek, they were invested with the highest sacredness and the supremest authority. The high poetic inspiration which pervaded them was a supernatural gift. Their sublime utterances were accepted as proceeding from a divine afflatus. They were the product of an age in which it was believed by all that the gods assumed a human form, 388 and held a real intercourse with gifted men. This universal faith is regarded by some as being a relic of still more distant times, a faint remembrance of the glory of patriarchal days. The more natural opinion is, that it was begotten of that universal longing of the human heart for some knowledge of that unseen world of real being, which man instinctively felt must lie beyond the world of fleeting change and delusive appearances. It was a prolepsis of the soul, reaching upward towards its source and goal. The poet felt within him some native affinities therewith, and longed for some stirring breath of heaven to sweep the harp-strings of the soul. He invoked the inspiration of the Goddess of Song, and waited for, no doubt believed in, some "deific impulse" descending on him. And the people eagerly accepted his utterance as the teaching of the gods. They were too eager for some knowledge from that unseen world to question their credentials. Orpheus, Hesiod, Homer, were the θεολόγοι--the theologians of that age. 389