Note 325 — Chapter XXII

This is generally spoken of as the first Italian comedy. The first dramatic composition of the Italian muse, however, was the Orpheus of Politian. Previous to this time the only scenic representations known in Italy were sacred mysteries drawn from Scripture. The questionable glory of introducing profane performances is due to Pomponius Lætus, who, along with his other revivals of ancient Roman manners, caused the comedies of Terence and Plautus to be acted in Rome, in which enterprise, says Maffei, he was greatly seconded by Cardinal Riario, who opened a theatre in his own private house. Jovius tells us that Cardinal Bibiena organised a staff of skilful players, and encouraged the youths of Rome to take part in his theatricals.