Note 1 — CHAP. IV.

: To avoid the vanity of dress or the temptation to acquire property, no Buddhist priest is allowed to have more than one set of robes, consisting of three pieces, and if an extra one be bestowed on him it must be surrendered to the chapter of his wihara within ten days. The dimensions must not exceed a specified length, and when obtained new the cloth must be disfigured with mud or otherwise before he puts it on. A magnificent robe having been given to Gotama, his attendant Ananda, in order to destroy its intrinsic value, cut it into thirty pieces and sewed them together in four divisions, so that the robe resembled the patches of a rice-field divided by embankments. And in conformity with this precedent the robes of every priest are similarly dissected and reunited.—Hardy's Eastern Monachism, c. xii. p. 117; Rajaratnacari, ch. ii. pp. 60, 66.

2: Rajaratnacari, pp. 104, 109, 112. The custom which is still observed in Ceylon, of weaving robes between sunrise and sunset is called Catina dhwana (Rajavali, p. 261). The work is performed chiefly by women, and the practice is identical with that mentioned by Herodotus, as observed by the priests of Egypt, who celebrated a festival in honour of the return of Rhampsinitus, after playing at dice with Ceres in Ilades, by investing one of their body with a cloak made in a single day, [Greek: pharos autêmeron exyphênantes], Euterpe, cxxii. Gray, in his ode of The Fatal Sisters, has embodied the Scandinavian myth in which the twelve weird sisters, the Valkiriur, weave "the crimson web of war" between the rising and setting of the sun.