Note 10 — Chapter IV · Manx Folklore
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Now that most of the imaginary inhabitants of Man and its coasts have been rapidly passed in review before the reader, I may say something of others whom I regard as semi-imaginary—real human beings to whom impossible attributes are ascribed: I mean chiefly the witches, or, as they are sometimes called in Manx English, butches10. That term I take to be a variant of the English word witch, produced under the influence of the verb bewitch, which was reduced in Manx English to a form butch, especially if one bear in mind the Cumbrian and Scottish pronunciation of these words, as wutch and bewutch. Now witches shift their form, and I have heard of one old witch changing herself into a pigeon; but that I am bound to regard as exceptional, the regular form into which Manx witches pass at their pleasure being that of the hare, and such a swift and thick skinned hare that no greyhound, except a black one without a single white hair, can catch it, and no shot, except a silver coin, penetrate its body. Both these peculiarities are also well known in Wales. I notice a difference, however, between Wales and Man with regard to the hare witches: in Wales only the women can become hares, and this property runs, so far as I know, in certain families. I have known many such, and my own nurse belonged to one of them, so that my mother was reckoned to be rather reckless in entrusting me to y Gota, or ‘the Cutty One,’ as she might run away at any moment, leaving her charge to take care of itself. But I have never heard of any man or boy of any such family turning himself into a hare, whereas in the Isle of Man the hare witches may belong, if I may say so, to either sex. I am not sure, however, that a man who turns himself into a hare would be called a wizard or witch; and I recollect hearing in the neighbourhood of Ramsey of a man nicknamed the gaaue mwaagh, that is to say, ‘the hare smith,’ the reason being that this particular smith now and then assumed the form of a hare. I am not quite sure that gaaue mwaagh is the name of a class, though I rather infer that it is. If so, it must be regarded as a survival of the magic skill associated with smiths in ancient Ireland, as evidenced, for instance, in St. Patrick’s Hymn in the eleventh or twelfth century manuscript at Trinity College, Dublin, known as the Liber Hymnorum, in which we have a prayer—