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Calamities and Quarrels of Authors

Note 150 — QUARRELS OF AUTHORS;

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Warburton was far more extravagant in a later attempt which he made to expound the odd visions of a crack-brained Welshman, a prophesying knave; a knave by his own confession, and a prophet by Warburton’s. This commentary, inserted in Jortin’s “Remarks on Ecclesiastical History,” considerably injured the reputation of Jortin. The story of Warburton and his Welsh Prophet would of itself be sufficient to detect the shiftings and artifices of his genius. Rice or Arise Evans! was one of the many prophets who rose up in Oliver’s fanatical days; and Warburton had the hardihood to insert, in Jortin’s learned work, a strange commentary to prove that Arise Evans, in Cromwell’s time, in his “Echo from Heaven,” had manifestly prophesied the Hanoverian Succession! The Welshman was a knave by his own account in subscribing with his right hand the confession he calls his prophecy, before a justice, and with his left, that which was his recantation, signed before the recorder, adding, “I know the bench and the people thought I recanted; but, alas! they were deceived;” and this Warburton calls “an uncommon fetch of wit,” to save the truth of the prophecy, though not the honour of the prophet. If Evans meant anything, he meant what was then floating in all men’s minds, the probable restoration of the Stuarts. By this prelude of that inventive genius which afterwards commented, in the same spirit, on the Æneid of Virgil, and the “Divine Legation, itself,” and made the same sort of discoveries, he fixed himself in this dilemma: either Warburton was a greater impostor than Arise Evans, or he was more credulous than even any follower of the Welsh prophet, if he really had any. But the truth is, that Warburton was always writing for a present purpose, and believed, and did not believe, as it happened. “Ordinary men believe one side of a contradiction at a time, whereas his lordship” (says his admirable antagonist) “frequently believes, or at least defends both. So that it would have been no great wonder if he should maintain that Evans was both a real prophet and an impostor.” Yet this is not the only awkward attitude into which Warburton has here thrown himself. To strain the vision of the raving Welshman to events of which he could have no notion, Warburton has plunged into the most ludicrous difficulties, all which ended, as all his discoveries have done, in making the fortune of an adversary who, like the Momus of Homer, has raised through the skies “inextinguishable laughter,” in the amusing tract of “Confusion worse Confounded, Rout on Rout, or the Bishop of G——’s Commentary on Arise Evans; by Indignatio,” 1772. The writer was the learned Henry Taylor, the author of Ben Mordecai’s Apology.

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