Note return — Chapter I · —THE STUDIO.

At the cry "Uzcoque" the slender active Albanian grasped his fire-lock, with rage and hatred expressed on his bearded countenance: the phlegmatic Turk sprang in unwonted haste from his carpet; his pipe and coffee were neglected, his women and treasures secured in the harem, while he shouted for the Martellossi,3 and slipping them like dogs from a leash, sent them to the encounter of their foes on the devastated plains of Cardavia. In the despatches from Madrid, from the ministers of that monarch on whose dominions the sun never set, to his ambassadors, the name of these seven hundred outlaws occupied a frequent and prominent place. But by none were the Uzcoques more feared and detested than by the greyheaded doge and senators of the Ocean Queen, the sea-born city, before whose cathedral the colours of three kingdoms fluttered from their crimson flagstaffs; and the few young Venetians in whose breasts the remembrance of their heroic ancestors yet lived, blushed for their country's degradation when they beheld her rulers braved and insulted by a band of sea-robbers.