Note return — TRAVELS OF KERIM KHAN.

The national theatres were now open for the winter, and the Khan paid a visit to Covent-Garden; but he gives no particulars of the performances which he witnessed, though he was greatly struck by the splendour of the lighting and decoration, and still more by the almost magical celerity with which the changes of scenery were effected. The scanty notice taken of these matters, may perhaps be partly accounted for by the extraordinary fascination produced in the mind of the khan by the charms of one of the houris on the stage—whose name, though he does not mention it, our readers will probably have no difficulty in supplying; and it may be doubted whether the warmest panegyrics of the most ardent of her innumerable admirers ever soared quite so high a pitch into the regions of hyperbole as the Oriental flights of the khan, who exhausts, in the praise of her attractions, all the imagery of the eastern poets. She is described as "cypress-waisted, rose-cheeked, fragrant as amber, and sweet as sugar, a stealer of hearts, who unites the magic of talismans with loveliness transcending that of the peris! When she bent the soft arch of her eyebrows, she pierced the heart through and through with the arrows of her eyelashes; and when she smiled, the heart of the most rigid ascetic was intoxicated! She was gorgeously arrayed, and covered all over with jewels—and the tout-ensemble of her appearance was such as would have riveted the gaze of the inhabitants of the spheres—what, then, more can a mere mortal say?"9