Note 9 — Chapter II · (continued 2)

The interest of Franklin in the Art of Printing did not end with his retirement from his vocation as a printer. When he arrived in England in 1757, he is said to have visited the composing-room at Watts' printing establishment, where he was employed many years before, and to have celebrated the occasion by giving to the composing force there a bienvenu, or fee for drink, and proposing as a toast "Success to Printing." The type of Baskerville, the "charming Editions" of Didot le Jeune, the even finer Sallust, and Don Quixote of Madrid, and the method of cementing letters, conceived by John Walter, the founder of the London Times, all came in for his appreciative attention. It is said that the process of stereotyping was first communicated to Didot by him. When he visited the establishment of the latter, in 1780, he turned to one of his presses, and printed off several sheets with an ease which excited the astonishment of the printers about him. Until the close of his life he had a keen eye for a truly black ink and superfine printing paper and all the other niceties of his former calling. The only trace of eccentricity in his life is to be found in his methods of punctuation, which are marked by a sad lack of uniformity in the use of commas, semicolons and colons, and by the lavish employment of the devices to denote emphasis which someone has happily termed "typographical yells."