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Beethoven, a character study; together with Wagner's indebtedness to Beethoven

Note I — WAGNER'S INDEBTEDNESS TO BEETHOVEN

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Beethoven's love of strongly defined contrasts is nowhere better illustrated than here. The sharp discordant tones, which characterize the opening bars of the movement, are simply pushed aside by the new. It is the subjugation of the worldly by the spiritual, of suffering by happiness.

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