Note 8 — ARROWS OF THE CHACE.
Reading edition
The passage in the Chronicle ran thus: “The Apollo is but an ideal of the human form; no figure ever moulded of flesh and blood was like it.” With the objection to this criticism we may compare “Modern Painters” (vol. i. p. 27), where the ideal is defined as “the utmost degree of beauty of which the species is capable.” See also vol. ii. p. 99: “The perfect idea of the form and condition in which all the properties of the species are fully developed is called the Ideal of the species;” and “That unfortunate distinctness between Idealism and Realism which leads most people to imagine that the Ideal is opposed to the Real, and therefore false.”