Note AA — LECTURE IV.

I must again qualify the too sweeping statement of the text. I think, as time passes, some of these nineteenth century line engravings will become monumental. The first vignette of the garden, with the cut hedges and fountain, for instance, in Rogers' poems, is so consummate in its use of every possible artifice of delicate line, (note the look of tremulous atmosphere got by the undulatory etched lines on the pavement, and the broken masses, worked with dots, of the fountain foam,) that I think it cannot but, with some of its companions, survive the refuse of its school, and become classic. I find in like manner, even with all their faults and weaknesses, the vignettes to Heyne's Virgil to be real art-possessions.