Note 395 — CHAPTER 18 MODERN ARCHITECTS OF THE FIRST GENERATION IN FRANCE: AUGUSTE PERRET AND TONY GARNIER

Even Gaudí after 1910 produced little, being almost wholly occupied with the slow progress of the Sagrada Familia. Of course, in a sense Horta is another exception; but his success after 1910 was of purely local significance and dependent on his total rejection of the Art Nouveau of his youth. One can only think of the later career of Giorgio de Chirico, still today a success in Italy but ignored by the outside world except when he imitates his earlier work.