Note 50 — SCENE 2
Reading edition
(return) [ Like Ollantay in his appeal to the Inca, Rumi-ñaui, in the original Quichua, has recourse to octosyllabic quatrains, the first and last lines rhyming, and the second and third.]
Reading edition
(return) [ Like Ollantay in his appeal to the Inca, Rumi-ñaui, in the original Quichua, has recourse to octosyllabic quatrains, the first and last lines rhyming, and the second and third.]