Note 161 — PART II (continued 3)

A conception similar in kind, though different in form, is apparent in the dún with a hundred doors, and at each of them an altar, and a priest celebrating mass thereon, in the Voyage of Snedgus and Mac Ríagla. Cp. the Castle of the Graal in the Perceval romances. The accessories of Christian worship are frequently introduced into the Heaven of mediæval legends, though seldom with such minuteness as in our text. Cp. the seventh- or eighth-century legend of Saints Theophilus, Sergius, and Hyginus, who came to a church built of crystal and precious stones.—Ancona, op. cit., p. 32. This church, indeed, was not meant to symbolise Heaven, but corresponds to the churches on the mystical islands of the Irish Imrama. Praise and psalmody, as among the joys of Heaven, of course have Scripture warrant; it remained for Swedenborg to crown the bliss of his elect, who in other respects se réjouissent moult tristement, with the privilege of listening to sermons through all eternity.