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A Treatise on Painting

Note 14 — PROPORTION.

J. F. (John Francis) Rigaud translation

Anatomists have divided this muscle into four or five sections; but painters, following the ancient sculptors, shew only the three principal ones; and, in fact, we find that a greater number of them (as may often be observed in nature) gives a disagreeable meagreness to the subject. Beautiful nature does not shew more than three, though there may be more hid under the skin.

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