Note {256} — APPENDIX.

It may obviate any chance of mistake if I observe that here as elsewhere, when I mention the name that is above every name in English literature, I refer to the old Shakespeare, and not to “the new Shakspere”; a novus homo with whom I have no acquaintance, and with whom (if we may judge of a great—or a little—unknown after the appearance and the bearing of those who select him as a social sponsor for themselves and their literary catechumens) I can most sincerely assert that I desire to have none.