Note (return) — Chapter I

The development of native African art is a theme of never-ending fascination for the ethnologist. Especially have striking resemblances between Negro and Oceanian culture been pointed out. In political organization as well as certain forms of artistic endeavor the Negro people have achieved creditable results, and especially have they been honored as the originators of the iron technique.1 It has further been shown that fetichism, which is especially well developed along the West Coast and its hinterland, is at heart not very different from the manitou beliefs of the American Indians; and it is this connection that furnishes the key to some of the most striking results of the researches of the latest and most profound student of this and related problems.2