Note 222 — Chapter XVIII · GERMAN FREETHOUGHT IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES

One passage in Goethe’s essay on the Pentateuch, appended to the West-Oestlicher Divan, is worth noting here as illustrating the ability of genius to cherish and propagate historical fallacies. It runs: “The peculiar, unique, and deepest theme of the history of the world and man, to which all others are subordinate, is always the conflict of belief and unbelief. All epochs in which belief rules, under whatever form, are illustrious, inspiriting, and fruitful for that time and the future. All epochs, on the other hand, in which unbelief, in whatever form, secures a miserable victory, even though for a moment they may flaunt it proudly, disappear for posterity, because no man willingly troubles himself with knowledge of the unfruitful” (first ed. pp. 424–25). Goethe goes on to speak of the four latter books of Moses as occupied with the theme of unbelief, and of the first as occupied with belief. Thus his formula was based, to begin with, on purely fabulous history, into the nature of which his poetic faculty gave him no true insight. (See his idyllic recast of the patriarchal history in Th. I, B. iv of the Wahrheit und Dichtung.) Applied to real history, his formula has no validity save on a definition which implies either an equivoque or an argument in a circle. If it refer, in the natural sense, to epochs in which any given religion is widely rejected and assailed, it is palpably false. The Renaissance and Goethe’s own century were ages of such unbelief; and they remain much more deeply interesting than the Ages of Faith. St. Peter’s at Rome is the work of a reputedly unbelieving pope. If on the other hand his formula be meant to apply to belief in the sense of energy and enthusiasm, it is still fallacious. The crusades were manifestations of energy and enthusiasm; but they were profoundly “unfruitful,” and they are not deeply interesting. The only sense in which Goethe’s formula could stand would be one in which it is recognized that all vigorous intellectual life stands for “belief”—that is to say, that Lucretius and Voltaire, Paine and d’Holbach, stand for “belief” when confidently attacking beliefs. The formula is thus true only in a strained and non-natural sense; whereas it is sure to be read and to be believed, by thoughtless admirers, in its natural and false sense, though the whole history of Byzantium and modern Islam is a history of stagnant and unfruitful belief, and that of modern Europe a history of fruitful doubt, disbelief, and denial, involving new affirmations. Goethe’s own mind on the subject was in a state of verbalizing confusion, the result or expression of his temperamental aversion to clear analytical thought (“Above all,” he boasts, “I never thought about thinking”) and his habit of poetic allegory and apriorism. “Logic was invincibly repugnant to him” (Lewes, Life of Goethe, 3rd ed. p. 38). The mosaic of his thinking is sufficiently indicated in Lewes’s sympathetically confused account (id. pp. 523–27). Where he himself doubted and denied current creeds, as in his work in natural science, he was most fruitful222 (though he was not always right—e.g., his polemic against Newton’s theory of colour); and the permanently interesting teaching of his Faust is precisely that which artistically utters the doubt through which he passed to a pantheistic Naturalism.