Note 281 — Chapter IX · CHRISTENDOM IN THE MIDDLE AGES

Dante’s own poetic genius, indeed, did much to arrest intellectual evolution in Italy. Before his time, as we have seen, the trouvères of northern France and the Goliards of the south had handled hell in a spirit of burlesque; and his own teacher, Brunetto Latini, had framed a poetic allegory, Il Tesoretto, in which Nature figures as the universal power, behind which the God-idea disappeared.281 But Dante’s tremendous vision ultimately effaced all others of the kind; and his intellectual predominance in virtue of mere imaginative art is at once the great characteristic and the great anomaly of the early Renaissance. Happily the inseparable malignity of his pietism was in large part superseded by a sunnier spirit;282 but his personality and his poetry helped to hold the balance of authority on the side of faith.283 Within a few years of his death there was burned at Florence (1327) one of the most daring heretics of the later Middle Ages, Cecco Stabili d’Ascoli, a professor of philosophy and astrology at Bologna, who is recorded to have had some intimacy with Dante, and to have been one of his detractors.284 Cecco has been described as “representing natural science, against the Christian science of Dante”;285 and though his science was primitive, the summing-up is not unwarranted. Combining strong anti-Christian feeling with the universal belief in astrology, he had declared that Jesus lived as a sluggard (come un poltrone) with his disciples, and died on the cross, under the compulsion of his star.286 In view of the blasphemer’s fate, such audacity was not often repeated.