Note 2 — Chapter X · FREETHOUGHT IN THE RENAISSANCE

Before the general recovery of ancient literature, the main motives to rationalism, apart from the tendency of the Aristotelian philosophy to set up doubts about creation and Providence and a future state, were (1) the spectacle of the competing creed of Islam,2 made known to the Italians first by intercourse with the Moors, later by the Crusades; and further and more fully by the Saracenized culture of Sicily and commercial intercourse with the east; (2) the spectacle of the strife of creeds within Christendom;3 and (3) the spectacle of the worldliness and moral insincerity of the bulk of the clergy. It is in that atmosphere that the Renaissance begins; and it may be said that freethought stood veiled beside its cradle.