Note 43 — NUMERICAL CATALOGUE, WITH BIOGRAPHICAL AND DESCRIPTIVE NOTES
Reading edition
See, however, the sunset picture of his predecessor, Bellini (726). Connoisseurs should note that this picture is referred to by Richter as bearing on the vexed question of Palma Vecchio's relation with Titian, and showing that the latter imitated the former rather than vice versâ (Italian Art in the National Gallery, p. 85. See also Morelli's German Galleries, p. 25).