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A Popular Handbook to the National Gallery, Volume I, Foreign Schools

Note 54 — NUMERICAL CATALOGUE, WITH BIOGRAPHICAL AND DESCRIPTIVE NOTES

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"He was not a bad painter," continued Ruskin, "but he exercises a most fatal influence on the English School, and therefore I owe him an especial grudge. I have never entered the Dulwich Gallery for fourteen years without seeing at least three copyists before the Murillos. I never have seen one before the Paul Veronese.... I intend some time in my life to have a general conflagration of Murillos." Ruskin would have been relieved to know that of late years at the National Gallery Paul Veronese—and especially his St. Helena—has been very frequently copied.

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