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A Popular Handbook to the National Gallery, Volume I, Foreign Schools

Note 159 — NUMERICAL CATALOGUE, WITH BIOGRAPHICAL AND DESCRIPTIVE NOTES (continued 7)

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"This," says Mr. Hipkins of the present picture, "is the grandest and most extended mediæval band on record, worthy of the heavenly Host, to declare the praises of the Blessed Trinity." Mr. Hipkins gives an interesting identification and description of the instruments employed. To the left of the centre compartment we may find a viol, a rebec, a clarion, trumpets, harp, cither, double flute, and psaltery—also a tambourine, beaten with the hand, a tabor, and a portable organ. In the centre, under Christ, are two organs. The player on the pipe and tabor, left of the Redeemer, blows what seems to be a short French whistle. "Next to this musician is a cymbal player. The time beater is apparently no less required where time exists no more than he is in our terrestrial world; such discipline of rhythm is hereby sanctified." "In the upper rows, on the left hand of the Redeemer, we see one of those large guitar-viols which were used by the troubadours" (see further The Hobby Horse, No. 1, 1893, pp. 14-16).

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