Note 90 — from the Origins To the Renaissance (continued 2)

Four poems have come down to us signed by means of an acrostic on the Runic letters of his name: "Elene" (on the finding of the cross), "Fates of the Apostles" (both in "Codex Vercellensis"), "Juliana" and "Christ" (in "Codex Exoniensis"); a separate edition of "Christ" has been given by M. Gollancz, London, 1892, 8vo. Many other poems, and even the whole of "Codex Vercellensis," have been attributed to him. The eighty-nine riddles of "Codex Exoniensis," some of which continue to puzzle the readers of our day, are also considered by some as his: one of the riddles is said to contain a charade on his name, but there are doubts; ample discussions have taken place, and authorities disagree: "The eighty-sixth riddle, which concerns a wolf and a sheep, was related," said Dietrich, "to Cynewulf;" but Professor Morley considers that this same riddle "means the overcoming of the Devil by the hand of God." Stopford Brooke, "Early English Literature," chap. xxii. Many of those riddles were adapted from the Latin of Aldhelm and others. This sort of poetry enjoyed great favour, as the Scandinavian "Corpus Poeticum" also testifies. What is "Men's damager, words' hinderer, and yet words' arouser?"—"Ale." "Corpus Poeticum," i. p. 87.