Note 1 — Chapter IX · RELIGION: THE FINE ARTS: LITERATURE

The whole tendency of the modern mind is to become more spiritually imaginative. We are often scornfully told that this is an age of hysteria, when the mere fact is that it is an age of imagination. The highly civilised life of our day1 naturally exalts intelligence in comparison with mere activity of body; mind gains ascendency over muscle. It is much more important to worldly success just now that a man should be able to think accurately than that he should be able to lift great weights, endure great physical fatigues or fight satisfactorily. Consequently, there is a great premium upon intelligence, and only a much smaller premium upon bodily strength; and this condition of affairs is likely to become accentuated as the present century develops. With increase of intellectual agility we obtain increase of subtlety and intuition, and of those finer perceptive and critical faculties which make expression of the emotions important and interesting. It has often been argued that epochs of high civilisation are unfavourable to poetry and the fine arts, and a well-known passage of Macaulay argues the point at some length. Whether such an epoch as that of a hundred years hence be probably fertile in art or no, assuredly appreciation of the fine arts will be widespread and acute. Of course you can never account for the extraordinary phenomenon called genius, and while it is no doubt true that genius, like everything else, is the product of its age, yet genius consistently transcends its age. The number of minds in a thousand able to bring a reasonable degree of competent appreciation to the writings of Shakespeare is much greater now than when Shakespeare wrote. There never was a time when a great writer, or a great painter (despite what happened to Whistler) was in less danger of public neglect than the present. And the next century will be yet more critical than this. Every one of the fine arts will be more generally and more subtly appreciated than now. The existing masterpieces of antiquity will be even more reverently enjoyed than now, and the lessons they embody will be more completely assimilated. It remains to be answered, whether the next century will be fertile in new masterpieces of literature and art.