Notes to A History of Wood-Engraving — Reading edition

40 notes · Reading edition

I. THE ORIGIN OF THE ART. · Note 1 I. THE ORIGIN OF THE ART. · Note 2 I. THE ORIGIN OF THE ART. · Note 3 I. THE ORIGIN OF THE ART. · Note 4 I. THE ORIGIN OF THE ART. · Note 5 I. THE ORIGIN OF THE ART. · Note 6 I. THE ORIGIN OF THE ART. · Note 7 I. THE ORIGIN OF THE ART. · Note 8 I. THE ORIGIN OF THE ART. · Note 9 I. THE ORIGIN OF THE ART. · Note 10 I. THE ORIGIN OF THE ART. · Note 11 I. THE ORIGIN OF THE ART. · Note 12 I. THE ORIGIN OF THE ART. · Note 13 I. THE ORIGIN OF THE ART. · Note 14 I. THE ORIGIN OF THE ART. · Note 15 I. THE ORIGIN OF THE ART. · Note 16 I. THE ORIGIN OF THE ART. · Note 17 I. THE ORIGIN OF THE ART. · Note 18 I. THE ORIGIN OF THE ART. · Note 19 I. THE ORIGIN OF THE ART. · Note 20 I. THE ORIGIN OF THE ART. · Note 21 I. THE ORIGIN OF THE ART. · Note 22 I. THE ORIGIN OF THE ART. · Note 23 I. THE ORIGIN OF THE ART. · Note 24 I. THE ORIGIN OF THE ART. · Note 25 I. THE ORIGIN OF THE ART. · Note 26 II. THE BLOCK-BOOKS. · Note 1 II. THE BLOCK-BOOKS. · Note 2 II. THE BLOCK-BOOKS. · Note 3 II. THE BLOCK-BOOKS. · Note 4 II. THE BLOCK-BOOKS. · Note 5 III. EARLY PRINTED BOOKS IN THE NORTH. · Note 1 III. EARLY PRINTED BOOKS IN THE NORTH. · Note 2 III. EARLY PRINTED BOOKS IN THE NORTH. · Note 3 III. EARLY PRINTED BOOKS IN THE NORTH. · Note 4 III. EARLY PRINTED BOOKS IN THE NORTH. · Note 5 IV. EARLY ITALIAN WOOD-ENGRAVING. · Note 1 IV. EARLY ITALIAN WOOD-ENGRAVING. · Note 2 V. ALBERT DÜRER AND HIS SUCCESSORS. · Note 1 VI. HANS HOLBEIN. · Note 1

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