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A History of the French Novel, Vol. 2

Note 108 — Chapter III

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In the opening scene she is something worse. If her writing "Gilliatt" in the snow had been a sort of rustic challenge of the "malo me petit, et fugit ad salices" kind, there might have been something (not much) to say for her. But she did not know Gilliatt; she did not want to know him; and the proceeding was either mere silly childishness, or else one of those pieces of bad taste of which her great creator was unluckily by no means incapable.

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